Movies mirror society.
Changing cultural norms have significantly influenced how costumes are designed
and how they look on screen, as have advances in technology.
In Black and White, silent
movies, designers created visual interest chiefly through silhouette, pattern,
contrast between light and dark, and reflectivity of satin, beads and sequins. Mark
Bridges, costume designer for the film The Artist (2011) has said that ‘the
silence was very freeing because you don’t have to worry about microphones
rubbing against taffeta, and dangling jewellery’.

The silent movie era, which
bore the strong influence of vaudeville and music hall, was marked by
exaggerated conventions of performance. This was matched by costume design
which was often intended to convey a strong archetype on first sight. Actors in
silent films usually were portraying classic characters who were easily
identified and defined by their clothing, hair, and makeup. For women,
this meant two main categories of characters: the virgin or the vamp. There
were other types that branched from this including the flapper, the ingénue,
the girl next door and the ‘It’ girl. The fashion in these silent movies helped
to portray the characters to the viewers. The characters were defined by what
they wore and in turn women of this era also became defined by their fashion.
With film becoming
extremely popular with the general public it meant film helped to spread
fashion trends out to rural towns as well as the usual fashion forward cities,
which gave everyone a taste of the new styles emerging.
Possibly the most iconic
persona of the silent movie era is ‘The Flapper’. This persona helped inspire
the fashion of the twenties but still inspires fashion houses today. Actress
Colleen Moore personifies this character. Her characters were entertaining, lighthearted,
daring, and free-spirited, but never vampy or obscene. Her portrayals helped
make the flapper accessible to the public.

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